| Written and Directed by | ....... | XIAO-YEN WANG |
| Cinematographer | ....... | LI XIONG |
| Producer | ....... | ANDY MARTIN |
| ....... | XIAO-YEN WANG |
| Music Composer | ....... | JEAN-PIERRE TIBI |
| Edited by | ....... | ANDY MARTIN |
| ....... | XIAO-YEN WANG |
| | |
| BEIJING CREW: | | |
| Production Manager | ....... | XUE FANG-MIN |
| 1st Assistant Director | ....... | YANG ZI |
| 2nd Assistant Director | ....... | ZHOU YU-ZHI |
| Sound Recordist | ....... | KE HU |
| Boom Operator | ....... | ZHANG KUN |
| Sound Recordist Assistant | ....... | CAO CHANG-JUN |
| Assistant Cinematographer | ....... | XIE ZE |
| ....... | KONG YU-PING |
| Camera Technician | ....... | WANG LI-CHENG |
| Gaffer | ....... | GUO WEI-JUN |
| Best Boy Grip | ....... | DONG JIN-ZAI |
| ....... | SU QI-FENG |
| Grips | ....... | LU GUO-AN |
| ....... | LU GUO-XI |
| ....... | LU CHUN-XI |
| Jib Operator | ....... | WANG XUE |
| Assistant Production Manager | ....... | LIU YU-HONG |
| ....... | FU YONG-CHENG |
| Make-up | ....... | ZHANG JIAN |
| Props | ....... | LU JUN-FENG |
| Wardrobe | ....... | PEI WEN-MEI |
| Still Photographer | ....... | SHI XIAO-BING |
| Central Fine Arts Institute Coordinator | ....... | HUANG HUAN |
| Drivers | ....... | WEN BAO-LIN |
| ....... | CHEN TONG-SHEN |
| ....... | XU SHU-MEI |
| ....... | JI JIN-LIANG |
| ....... | WANG ZHI-YO |
| ....... | LI QUN |
| Camera and Equipment Rental | ....... | CINERENT |
| Film Stock | ....... | KODAK |
| | |
| SAN FRANCISCO CREW: | | |
| Location Sound Recordist | ....... | YE ZHANG |
| Boom Operator | ....... | FRANCES NKARA |
| Assistant Producer | ....... | JING ZHANG |
| 1st Assistant Director | ....... | YULE CAISE |
| 2nd Assistant Director | ....... | DAYSUN CHANG |
| ....... | JOHN KIM |
| Script Supervisor | ....... | DAYSUN CHANG |
| 1st Camera Assistant | ....... | KEITH ROBINSON |
| 2nd Camera Assistant | ....... | GUANG-MIN XUE |
| Camera Loader | ....... | ANDREA HIRAGZIA |
| Steadicam Operator | ....... | KEITH ROBINSON |
| Gaffer | ....... | GORDON McIVER |
| Key Grip | ....... | TODD STONEMAN |
| Best Boy Grip | ....... | MIKE VICTORIA |
| Best Boy Electric | ....... | HIRO TAKAHASHI |
| Grips | ....... | PACIANO TRIUNFO |
| ....... | DERON TSE |
| ....... | JASON PREDOCK |
| ....... | DAVE LUZIUS |
| ....... | MICHELLE ATTEBERY |
| ....... | GABE MONTS |
| ....... | CHRIS CORNBILL |
| Art Director and Props | ....... | JENNIFER TRAMMELL |
| Assistant Art Director and Props | ....... | PETER CHANG |
| Intern Prop Assistant | ....... | NICK ORTA |
| Paper-Break Set Construction | ....... | JIM LAWTON |
| ....... | ANDY MARTIN |
| Wardrobe and Makeup | ....... | MORGANIA MOORE |
| Assistant Wardrobe and Makeup | ....... | MARIA LANGHI |
| Production Coordinator 1 | ....... | ERIC ZHANG |
| Production Coordinator 2 | ....... | JOANNE SHEN |
| Production Assistants | ....... | JOHN KIM |
| Additional Production Assistants | ....... | KATEY LAWTON |
| ....... | SANDRA WANG |
| ....... | JAMES DUISENBERG |
| ....... | FAWN LUU |
| ....... | LENORE NORRGARD |
| ....... | JEFF SHOU |
| Still Photographer | ....... | ELENA SHEEHAN |
| ....... | LINDSEY FAUSS |
| Slides for Slide Show Scene | ....... | XIAO-YEN WANG |
| Nightmare Scene Consultant | ....... | AMANDA MOODY |
| Qu Ying's English Coach | ....... | MARTHA COTTAM |
| Qu Ying's Assistant | ....... | TINA LIU |
| ....... | DIANA QI |
| Cinematographer's Translator | ....... | GUNG-MIN XUE |
| Paintings | ....... | JENNIFER TRAMMELL |
| ....... | WILLIAM SHEETS |
| ....... | RUTH PAESCH |
| ....... | CLAUDINE SWICKARD |
| ....... | XIAO-YEN WANG |
| Camera Rental | ....... | OPPENHEIMER CAMERA |
| Lighting Equipment Provided by | ....... | REBEL SUN GRIPS |
| Production Services by | ....... | COMPLEX CORPORATION |
| Film Development | ....... | FOTOKEM |
| | |
| POST-PRODUCTION: | | |
| Negative Cutter | ....... | BILL WESTWICK |
| Additional Negative Cutting | ....... | CHRIS WEBER |
| Cards & End Credits | ....... | T&T OPTICAL EFFECTS CO. |
| Opening Credits | ....... | STEWART MOTION PICTURE SERVICES |
| Opening Credits & Title Design | ....... | XIAO-YEN WANG |
| Film Processing & Color | ....... | FOTOKEM |
| Color Timer | ....... | SAUL ESCOBEDO |
| Sound Editor | ....... | ANDY MARTIN |
| Additional Sound Recording | ....... | YENNY MARTIN |
| Sound Design | ....... | DAN OLMSTED |
| Dolby Sound Consultant | ....... | DAN SPERRY |
| Sound Mix Recorded at | ....... | SAUL ZAENTZ FILM CENTER |
| Sound Mix Engineer | ....... | DAN OLMSTED |
| Music Recording and Mix at | ....... | FANTASY STUDIOS |
| Music Recording and Mix Engineer | ....... | DARYN ROVEN |
| 2nd Engineer | ....... | JESSIE NICHOLS |
| Music Orchestration | ....... | JEAN-PIERRE TIBI |
| Musician Contractor | ....... | LARRY LONDON |
| Piano | ....... | JERRY KUDERNA |
| Flute | ....... | BARBARA CHAFFE |
| Saxophone | ....... | JIM DUKEY |
| Violin | ....... | ROY MALAN |
| Cello | ....... | DAVID KADARAUCH |
| Double Bass | ....... | PATRICK McCARTHY |
| Conductor | ....... | LARRY LONDON |
| Music Clearance | ....... | THE RIGHTS WORKSHOP |
